Comments on: Bali carves up the Glick International Foundation http://www.craftunbound.net/country/indonesia/bali-carves-up-the-glick-international-foundation Craft at large Tue, 27 Jul 2010 09:15:31 +0000 hourly 1 http://wordpress.org/?v=3.0 By: Do you want ethics with that? New platforms for designing trust | Kevin Murray - Curator and Writer http://www.craftunbound.net/country/indonesia/bali-carves-up-the-glick-international-foundation/comment-page-1#comment-566 Do you want ethics with that? New platforms for designing trust | Kevin Murray - Curator and Writer Fri, 02 Jul 2010 01:49:47 +0000 http://www.craftunbound.net/country/indonesia/bali-carves-up-the-glick-international-foundation#comment-566 [...] countries like Indonesia, India and Vietnam, to produce finely made goods, like the sculptures by Rodney Glick that you might have seen at Cockatoo Island in the Sydney Biennale. There is great potential for [...] [...] countries like Indonesia, India and Vietnam, to produce finely made goods, like the sculptures by Rodney Glick that you might have seen at Cockatoo Island in the Sydney Biennale. There is great potential for [...]

]]> By: Kevin Murray http://www.craftunbound.net/country/indonesia/bali-carves-up-the-glick-international-foundation/comment-page-1#comment-262 Kevin Murray Thu, 23 Jul 2009 23:44:19 +0000 http://www.craftunbound.net/country/indonesia/bali-carves-up-the-glick-international-foundation#comment-262 Yes, a good point. There doesn't seem to be any creative collaboration between Rodney and Made. Rodney has been involved in other projects that are more collaborative in that way, such as a contemporary shadow puppet performance. What seems particular about the relationship between Rodney and Made is more in the way of negotiation. Rodney is negotiating his appropriation of Balinese sacred culture. Maybe Made doesn't want to collaborate, and is happier to complete the job. Individual creative expression might be of more a Western concern. Let's see how their work together proceeds, then. I'm sure we'll see a lot more. Yes, a good point. There doesn’t seem to be any creative collaboration between Rodney and Made. Rodney has been involved in other projects that are more collaborative in that way, such as a contemporary shadow puppet performance.

What seems particular about the relationship between Rodney and Made is more in the way of negotiation. Rodney is negotiating his appropriation of Balinese sacred culture. Maybe Made doesn’t want to collaborate, and is happier to complete the job. Individual creative expression might be of more a Western concern.

Let’s see how their work together proceeds, then. I’m sure we’ll see a lot more.

]]> By: Paola Moreno http://www.craftunbound.net/country/indonesia/bali-carves-up-the-glick-international-foundation/comment-page-1#comment-260 Paola Moreno Thu, 23 Jul 2009 20:39:27 +0000 http://www.craftunbound.net/country/indonesia/bali-carves-up-the-glick-international-foundation#comment-260 La autoria en las obras de arte parece estar a un paso de desaparecer, en el caso que planteas al menos sabes quien tomara la idea. Las obras que circulan en la red estan siempre en peligro de ser copiadas ... todo puede ser copiado !!! Sin embargo el problema se radicaliza especialmente cuando hay una separación tan evidente entre el artista y el artesano productor de la obra. Entre distintos planos y contextos de circulación del arte las ideas no valen igual, la ética no es la misma. Esto es un problema relevante en la actual producción del arte y de la artesanía. La autoria en las obras de arte parece estar a un paso de desaparecer, en el caso que planteas al menos sabes quien tomara la idea. Las obras que circulan en la red estan siempre en peligro de ser copiadas … todo puede ser copiado !!!
Sin embargo el problema se radicaliza especialmente cuando hay una separación tan evidente entre el artista y el artesano productor de la obra. Entre distintos planos y contextos de circulación del arte las ideas no valen igual, la ética no es la misma.
Esto es un problema relevante en la actual producción del arte y de la artesanía.

]]>