So how will craft connect with other art forms, such as dance, music and poetry? The Biennale contains several elements:
- Pressing matter, a craft exhibition that feature works which diffuse energy and include diverse perspectives of producer and consumer, youth and maturity, the egalitarian and the elite, the classical and the romantic, the developed and the developing world
- Dissolving views, a space for connecting object with performance
- The river within us the sea all around us, whose title is borrowed from T.S. Elliot’s Four Quartets, is a community arts program with the citizens of Cheongju
- Canadian guest pavilion
- International symposium on 24 September with 14 craft scholars
Of particular interest is the way these themes have an underlying poetic vision, associating the object with flows of nature in particular. This suggests the possibility of a uniquely Korean perspective on modern craft.
It seems important in an event with such a substantial vision for craft that there is an open dialogue to reflect on what emerges from this event. Travel has become less possible for many people, but the organisers are trying to attract craft practitioners with a Home Stay program (details on the website).
So what will emerge when craft springs out of the box? Jack in the box? Pandora’s box? We look with interest.