Born 1961 in Germany, Schwarzer grew up in Bavaria, training in jewellery making and metalwork at the Zeichenakademie Hanau one of the oldest training institutions in Europe. In 1993 she moved to Australia where she lives and works in the Adelaide Hills.
In the Australian outback she discovered her passion for the abundant gems and minerals she loves collecting on field trips. Inspired by the colours and structures of these minerals, she learned how to shape them and uses them often in her work.
Visual uniqueness gives value to common materials that are often overlooked or disregarded. By slicing into the materials I discover structures, patterns and colours, traces of their geological history hidden in the layers.
GeoMorphing, her latest body of work, is inspired by the crystalline formations of minerals which grow in a variety of different systems. By designing and constructing both jewellery and objects that reference and utilize gems and minerals she investigates the term precious as it is often attributed to certain materials.
Schwarzer holds a Masters Degree in Visual Arts and Design. She exhibits widely nationally and internationally, her work is included in many private collections and has been published in Crafts Arts International as well as 1000 rings, 500 Gemstone Jewels and 500 Silver Jewelry Designs by Lark books.
Here is the statement about her work:
The minerals on which I base the design and construction of my work are sourced from the Australian outback; the raw materials are a rich inspiration for exploring the nature of what is deemed precious.
I value visual uniqueness and thus devised the piece The Royal Jewels.
The rocks used are inexpensive yet I consider their uniqueness and expressivity far exceeds the commercial worth of classical gem material such as diamonds, rubies and sapphires. This combination of the known, cubic zirconia as diamond simulants and the unknown, chabazite in basalt and the deliberate juxtaposition and obscuring of materials are used to question commonly held assumptions about preciousness.
This neckpiece was conceived as a piece that could be suitable for Royalty, appearing to be expensive yet using gems that have a relatively low market value. The chabazite in basalt has volcanic origin and was mined in NSW. The crystal clusters, zeolite, which are nestled inside the rock, inspired me to add large sparkling gems of cubic zirconia which simulate diamonds: the precious placed next to the worthless.
Contemporary Australian Art practice is informed by our unique geography and the complex interplay of European settlement, more recent regional development and our role as 21st century global citizens.
In The Royal Jewels I mine this rich lode to present a garland featuring material often overlooked or discarded, referencing both the ephemeral nature of laurel wreath / floral garland and the spectacular pieces in precious stones and metals by which they have often been replaced.
Curator’s note: In the history of jewellery, wealth has been most often symbolised in diamonds and gold. While for a country like Australia, much of its wealth is derived from much cruder materials, such as iron and coal. Regine Schwarzer’s necklace helps us appreciate the materials that underpin preciousness. Her work has parallels with the Queensland jeweller Ari Athans, whose rings include the quartz characteristic of gold fields.
Regine Schwarzer’s work is part of the exhibition Welcome Signs.